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Julius Windmaker “stagger down the road, drunk as a skunk.” Victor and Adrian lament his lost potential, and head inside. The story flashes forward to a year later, where they are once again drinking Pepsis on the porch.
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They recognize one of them as Julius Windmaker, “the best basketball player on the reservation.” They muse about his potential and whether or not he’ll make it off the reservation and find basketball stardom. In “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore,” Victor and his friend Adrian are drinking Pepsis on Victor’s porch when they see a group of Indian boys walking by. They go home together, but each find that they are disappointed by the other. In “Crazy Horse Dreams,” Victor meets an attractive and engaging Indian woman at a powwow. This story outlines the dissolution of Victor’s father’s marriage to Victor’s mother “when an Indian marriage starts to fall apart, it’s destructive Indians fight their way to the end, holding onto the last good thing, because our whole lives have to do with survival.” “Because My Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play ‘The Star-Spangled Banner’ at Woodstock” is an ode to Victor’s father, who was, according to Victor, “the perfect hippie during the sixties, since all the hippies were trying to be Indians.” Victor recollects nights when his father would come home drunk, and could only be comforted and lulled by Jimi Hendrix tapes. In “A Drug Called Tradition,” Victor and his friends Junior Polatkin and Thomas Builds-the-Fire take drugs in hopes of each experiencing their own visions. The function of humor changes from scene to scene, shifting to serve these myriad goals.” (1) Coulombe, 2002.In “Every Little Hurricane,” Alexie introduces the volatile world of Victor’s childhood-the Spokane Indian Reservation, 1976-when a hurricane “drops from the sky” during a raucous, drunken, violent party at Victor’s family’s HUD house. He states, ” He uses humor-or his characters use humor-to reveal injustice, protect self-esteem, heal wounds, and create bonds. Coulombe’s, The Approximate Size of His Favorite Humor: Sherman Alexie's Comic Connections and Disconnections in " The Lone Ranger and Tonto Fistfight in Heaven.", Coulombe notes Alexie’s use of humor in his stories.
#THE LONE RANGER AND TONTO FISTFIGHT IN HEAVEN FREE#
He makes a connection with the clerk over The Brady Brunch and get a free Creamsicle out of it. There was something about him I liked, even if it was three in the morning and he was white.”, he begins to but decides to win the clerk over with humor. Again with the situation with the in the convenience store Victor muses to himself if he should scare the clerk for fun, “He looked at me, Couldn’t decide if I was giving him serious shit or just goofing. Victor himself seems to use humor to cope. Without it the story would …show more content… In the passage Victor employs humor to almost lighten the material.
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In most stories a lack of historical context will have the piece, at worse, disconnected but with “Lone Ranger and Tonto Fistfight in Heaven” this technique makes the entire story. The technique that Alexie utilizes the most is historical context. To best illustrate these concepts Alexie uses mostly metaphor, historical context, and humor. This story also touches on the fear of how trapping “home” can feel when someone striving for more. In the personal narrative Alexie is able to convey the struggle to find one's sense of belonging in a place where your existence is a second thought at best. In the “Lone Ranger and Tonto Fistfight in Heaven” Sherman Alexie explores an anxiety that is often shared by minority groups trying to navigate through society.